The Reykjavik Version, situated in Iceland’s funds, was created in partnership with regional architecture company, T.ark, and New York-dependent studio, Roman and Williams, with advice of Ian Schrager Organization. The home maintains the brand’s agency technique to sophistication and design and style even though subtly capturing the spirit of Reykjavik.
The shou sugi ban charred timber facade combined with blackened metal frames reference Iceland’s remarkable lava landscape. The developing, together with some of the home windows, are angled in order to make the most of the views along the harbor. Upon entering, stacked totem sculptures created by nearby artisans serve as an extension of Iceland’s countryside.
Each individual of the 253 guest rooms has been built as heat retreats, all of which have beds dealing with flooring-to-ceiling home windows that frame the several views of the bordering landscape. Muted ash and gray oak serve as the foundation palette, although formwork concrete and personalized Italian-manufactured home furnishings guidebook the rest of the space’s style identity.