A 19th-Century Iron Foundry for a Still-Life Photographer, Transformed by Ravi Raj Architecture

When a pair of New Yorkers—a nonetheless existence photographer and a humanitarian help employee at the U.N.—were looking for a put to decompress in nature, they stumbled on an unlikely contender: an old iron foundry named the Clover Hill Foundry, initial designed in the early 1890s.

Tucked on a hill in Somers, New York, the sequence of interconnected buildings ended up created to serve as component of an iron mine, but for causes that keep on being somewhat of a secret, they have been closed and abandoned not extensive after—”possibly,” according to architect Ravi Raj—”due to a larger rip-off procedure.” The buildings fell into disrepair (and, in accordance to the Somer Historical Modern society, the mine shaft became a local most loved swimming gap) until eventually the 1940s, when a trio of artists converted the buildings into different residences, keeping—fortunately—many of the authentic aspects intact.

Rapid ahead to the 21st century: The New York couple was taken by the spareness of the house and the way the home windows framed sights of the encompassing trees. To update the foundry for modern-day life, the duo enlisted a close friend, Brooklyn-based mostly architect Ravi Raj, who experienced labored with Adjaye Associates just before beginning his individual studio.

With treatment, Ravi preserved the foundry’s initial brick partitions and wood beams, hewed to a stripped-back again palette, then rearranged a couple of vital areas and added a “modern volume” suspended inside of the soaring area. Be part of us for a look.

Pictures by Nick Glimenakis, courtesy of Ravi Raj Architect, besides where pointed out.

the brick clad foundry is tucked into the hillside. a major update included rep 9
Higher than: The brick-clad foundry is tucked into the hillside. A main update involved replacing all of the primary one-pane windows with new metal-clad variations “in get to let in the most amount of money of light-weight.”

inside, the front door leads to a small whitewashed plywood platform. the neutr 10
Above: Inside, the front doorway sales opportunities to a smaller whitewashed plywood platform. The neutral, purely natural materials had been picked out to “accentuate the interplay involving the present masonry composition and freshly defined dwelling areas.” 
the living area is centered around a newly added malm zircon 38 inch fireplace  11
Previously mentioned: The residing space is centered about a newly added Malm Zircon 38-Inch Fireplace in matte black. “It serves as the focal place in the house though also referencing the former fireplace that after existed there,” Ravi suggests.
the homeowner, claire, in a corner nook defined by wall mounted bookshelves. &a 12
Higher than: The house owner, Claire, in a corner nook defined by wall-mounted bookshelves. “The unique large-plank pine flooring were stripped and then stained a dark brown coloration to distinction with the white brick inside,” Ravi says. “Also, staining the flooring a darker tone permitted us to mix any mismatching current planks improved.”
an orange sofa adds daring color. 13
Above: An orange couch adds daring coloration.
a key move involved relocating the kitchen from the lower level of the foundry  14
Earlier mentioned: A crucial shift concerned relocating the kitchen area from the lessen degree of the foundry to the 2nd floor, in which it’s now of a piece with the dwelling and dining room. (The shift also allowed for the addition of a bedroom on the reduced ground, not pictured.) The pair of Flos Wall Lamps can swing outward to illuminate the eating table.
the kitchen, with honed marble island, is tucked beneath a cantilevered
Over: The kitchen area, with honed marble island, is tucked beneath a cantilevered “box” clad in dark charred-oak slats. “The inspiration was to build an component with a natural bark-like texture that would virtually feel like one more home within the property,” suggests Ravi. “This quantity appears to float within the place whilst also defining the kitchen place under it. The charred wooden material also relates to the many towering trees surrounding the household that are framed by the tall masonry openings.”
from the entry platform, newly added stairs lead upwards to a
Earlier mentioned: From the entry system, newly added stairs direct upwards to a “screening room” and loft bedroom in the cantilevered box, suspended over the kitchen area and dwelling parts. These new structures—the landing, stairway, and loft—are like “a present-day volume set within the aged brick and timber room,” the architect suggests.
upstairs, the newly added loft bedroom is white washed and spare. 17
Previously mentioned: Upstairs, the recently included loft bed room is white-washed and spare.
lighter wood planks add to the feeling of airiness. 18
Higher than: Lighter wooden planks increase to the feeling of airiness.
the view of the living area. (there are pull down shades, for privacy.) 19
Over: The perspective of the residing spot. (There are pull-down shades, for privateness.)
the bath, redone for modern times, references the building
Higher than: The tub, redone for fashionable instances, references the building’s iron-ore beginnings.

a side structure, which formerly served as guest house, now holds the primary b 21
Earlier mentioned: A aspect construction, which previously served as visitor household, now holds the major bedroom, complete with another wood stove—the Shaker Stove by Wittus—for “a additional intimate environment for the owners to retreat to,” in accordance to Ravi.

It’s most likely really worth noting, offered that there are two wooden-burning stoves in this residence, that cast iron stoves are extremely much a element of New York historical past: The cities of Albany and Troy, even more upstate, were the moment two of the most prolific producers of these stoves in the world. Go through extra about that history—and the in some cases elaborate designs—via the Albany Institute of Record & Art.

the timber extension that now holds the primary bedroom. 22
Earlier mentioned: The timber extension that now retains the major bed room.
ravi on the entry landing. photograph by paul barbera, couresty of ravi raj arc 23
Earlier mentioned: Ravi on the entry landing. Photograph by Paul Barbera, couresty of Ravi Raj Architect.

For much more on the job and “before” shots—some courting back as much as the flip of the century—head to @clover_hill_foundry on Instagram.

And for extra historic constructions redone as residences, see:

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